Every spring
among
among
the ambiguities
of childhood
the hillsides grew white
with the wild trilliums.
I believe in the world.
Oh, I wanted
to be easy
in the peopled kingdoms,
to take my place there,
but there was none
that I could find
shaped like me.
So I entered
through the tender buds,
I crossed the cold creek,
my backbone
and my thin white shoulders
unfolding and stretching.
From the time of snow-melt,
when the creek roared
and the mud slid
and the seeds cracked,
I listened to the earth-talk,
the root-wrangle,
the arguments of energy,
the dreams of lying
just under the surface,
then rising,
becoming
at the last moment
flaring and luminous--
the patient parable
of every spring and hillside
year after difficult year.
* in Dreamworks (1986), Mary Oliver
of childhood
the hillsides grew white
with the wild trilliums.
I believe in the world.
Oh, I wanted
to be easy
in the peopled kingdoms,
to take my place there,
but there was none
that I could find
shaped like me.
So I entered
through the tender buds,
I crossed the cold creek,
my backbone
and my thin white shoulders
unfolding and stretching.
From the time of snow-melt,
when the creek roared
and the mud slid
and the seeds cracked,
I listened to the earth-talk,
the root-wrangle,
the arguments of energy,
the dreams of lying
just under the surface,
then rising,
becoming
at the last moment
flaring and luminous--
the patient parable
of every spring and hillside
year after difficult year.
* in Dreamworks (1986), Mary Oliver
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